Neues Jahr, neue Ordner. Samstag genutzt um das Jahr vorzubereiten. Und einen schlechten Wortwitz zu machen.
04.01.2020
Daily Photo: 2019 started with a new years resolution. To snap a picture every day. Soon it became a challenge, to snap a meaningful picture. Something that doesn’t repeat. It helped formulate a thought or to express a feeling.
Neues Jahr, neue Ordner. Samstag genutzt um das Jahr vorzubereiten. Und einen schlechten Wortwitz zu machen.
04.01.2020
Dekoration in der Hamburgerei Zwei in München Haidhausen.
02.01.2020
Social media is a mistake: Let me start the new decade in the Photo category with a video. In the past year I challenged myself and take a picture every day. The project was inspired by an old, fellow student. It sounded easy in first place, turned into a challenge soon and I use to self-reflect upon achievements and new experiences. Taking a photo of something new every day will make you start think about what you did. Sometimes, after a long day in office, it requires plenty of discipline to pay attention to your schedule and environment.
To measure the result, when starting, I decided to go for Instagram. Get Likes has never been the goal. The level of interaction with the platform and exposure to the crowd I got there gave plenty of insight into how the crowd works. But the service never convinced for many reasons. As stated elsewhere, the experience just re-affirmed my feeling that social media is a mistake.
The medium is driven by vein and pride, just as Scott Galloway put it, the seven deadly sins. These are not good guidance in first place. And they are by no means compatible with the goals of the project, even though it generated plenty of attention and positive feedback.
And finally, the company owning Instagram, Facebook, requires to accept a license through their Terms of Service to grant to them a non-exclusive, transferable, sub-licensable, worldwide license to host, use, distribute, modify, run, copy, publicly perform or display, translate, and create derivative works of your content (consistent with your privacy and application settings) for purposes of making the Instagram Service available. While comprehensible the service needs authority over content to offer the service, these purposes are too broad for what I want to achieve. Instagram is driven by users registered and wouldn’t allow the audience I have in mind to consume the photos without registering. Just try scrolling through the page, it will require registration quickly.
You can end this license anytime by deleting your content or account. Following the Terms of Service, this is the only way to not grant these. And while Instagram offers means to download all content, this still ain’t too easy: all the content over there has meta information, like comments and or locations, that are not straight forward to transfer. Which brings me to one of next years resolutions: not only continue my own project here – to take a photo every day as an act of self-reflection. But also to migrate existing content from Instagram over here.
And the same is true for other social media. For example, LinkedIn does also leverage such mechanisms. While the above is only an example, I try to put more attention to these models. And this page shall serve as a basis to replace others in the .
Social media is a mistake. Take back the web and decentralise the next decade.
Memento Money: Kunst im Kloster St. Ottilien. Memento Money ist eine Anspielung auf das lateinische Memento Mori, das in christlichen Zusammenhängen verwendet wird um an unsere Sterblichkeit zu erinnern.
01. Januar 2020
Having been part of the demo-scene for many years myself, this is – at least to me – big news. Starting with the arrival of computers and first commercial software, crackers started copying others intellectual property and made an effort overcoming copy protection. Groups formed to not only solve the technical difficulty to ‘crack’ these systems, but also distribute the results. Soon, pretty presentations were included with these files, to advertise the group that managed to overcome copy protection. Shortly after, these presentations turned into their own discipline, giving programmers, music- and graphic artists an opportunity to compete in artistic demos.
The first demos I remember include 42 by halcyon, 4 kings by orange or daze by urinate. Given the first exposure to the hardwares limits, these were fascinating productions that never failed to amaze me. A close friend from the mailbox scene pointed me to the immortal ‘Second Reality‘ by Future Crew, that finally blew my mind.
Among my peers, this demo was the starting point for many people that I spent a lot of time with and some of whom I am still proud to call my friends. The years following I had the opportunity to not only attend many demo parties but actively contribute my own work to competitions and learn fundamental technology from idols I was lucky to meet at these events.
Now recently, Andreas Lange & Tobias Kopka have started an initiative to bring the demoscene onto the list of the UNESCO intangible world cultural heritage. The initiative advocates the mindset and innovation this scene has developed, contributing technology to culture and leveraging technology to create art. It will likely take a long time to proof this influence and all that I have seen in the past twenty years is well worth bringing this scenes achievements to a broader audience.
This is how 1byte apparently looked liked, 70years back. And you could touch it.
There is no cloud.